National Repository of Grey Literature 6 records found  Search took 0.00 seconds. 
Czech photography of the first half of the 20th century
DOČKÁLKOVÁ, Veronika
The diploma thesis "Czech surreal photography in the first half of the 20th century" consists of two parts - theoretical and practical. The theoretical part conveys main ideas of surrealism in the world and its connection to photography. This part also contains chapters that are related to the development of surrealism in Czechia, mainly in the first half of the 20th century. There are parts dedicated to the three of Czech artists - Emila Medková, Miroslav Hák and Jindřich Štyrský. The practical part of the diploma thesis includes realization of the art photography cycle named "Věra Vacková".
Dream in Czech art of the first half of the 20th century and the dream theme in art education
Kurucová, Nina ; Daniel, Ladislav (advisor) ; Hůla, Zdenek (referee)
The main aim of this thesis is concerned with dream as an inspirational source and as specific state of mind. Theoretical part describes dream from psychological point of view but also dream ramifications on the art in the first half of the 20th century. The thesis describes not only an introduction of surrealism as a new art style in French and Czech countries, but also birth of new art techniques. The work also maps dream reports of Jindřich Štyrský and their depictions as an author's primary source of imagination. Didactic part includes a survey aimed at sixth grader's dreams and didactic project consists of four painting tasks. Each task thematically follows specific parts of theoretical chapter. Practical part naturally results from dream-theme's ideas and is composed of two objects based on inspirations from dream. KEYWORDS Dream, dream diary, surrealism, Frottage, college, Jindřich Štyrský
Illustrated sheet music covers of the Czech popular music in the first half of the 20th century
Polonyiová, Veronika ; Pech, Milan (advisor) ; Czumalo, Vladimír (referee)
Illustration of Czech popular music sheet covers in the first half of the 20th century Abstract This diploma thesis focuses on the visual form of popular music sheet covers published in selected publishers in the first half of the 20th century, especially on small formats of the twenties to forties. Many Czech as well as several foreign artists influenced by various artistic tendencies took part in the artistic processing of the covers. The creation of a large part of them is closely connected with illustration, poster creation and advertising activities. Some artists have been creating covers systematically and we can find their work in several publishers, but for some this activity was only a short episode in their work. The resulting prints of music sheet covers obtained in the institutions that collect them are documented and evaluated here - especially the Music Department of the National Library and the Czech Museum of Music belonging to the National Museum in Prague. In some cases, this section also records the original illustrations stored in the Museum of Applied Arts in Prague, which were very helpful in identifying the artistic practices. It is clear from this diploma thesis that the illustrations of these sheet music, which have not been given space in the literature so far, are an important...
Dream in Czech art of the first half of the 20th century and the dream theme in art education
Kurucová, Nina ; Daniel, Ladislav (advisor) ; Hůla, Zdenek (referee)
The main aim of this thesis is concerned with dream as an inspirational source and as specific state of mind. Theoretical part describes dream from psychological point of view but also dream ramifications on the art in the first half of the 20th century. The thesis describes not only an introduction of surrealism as a new art style in French and Czech countries, but also birth of new art techniques. The work also maps dream reports of Jindřich Štyrský and their depictions as an author's primary source of imagination. Didactic part includes a survey aimed at sixth grader's dreams and didactic project consists of four painting tasks. Each task thematically follows specific parts of theoretical chapter. Practical part naturally results from dream-theme's ideas and is composed of two objects based on inspirations from dream. KEYWORDS Dream, dream diary, surrealism, Frottage, college, Jindřich Štyrský
"Reserved for subsribers" or Czech erotic literature in the 30th of the 20th century
SIMŮNKOVÁ, Aneta
I focus the question of Czech erotic literature based on the surrealist tendencies of the 30s of the 20th century in my Thesis. I pay attention to the person of Jindřich Štyrský and closer look an artistic experiment in the form of Edice 69 and mainly on bibliophile Erotická revue 1 3. I proceed from the literary-historical knowledge, on the basis of which I map historical and artistic context, in which the work was produced, and life stage of Jindřich Štyrský between 1920 1934. The last part of my work I attempt to show the topics, which the erotic literature dealt with, and how could be combined the editorila work of Jindřich Štyrský šith surrealistic tendencies.
The dream and the image of dream in the artworks of surrealist artists
LEXOVÁ, Petra
The topic of this dissertation is the phemomenon of the dream, dreamy picture and their projection into the creation of surrealist artworks. The disertation tries to connect the basic knowledge of psychoanalysis and the history of art. The thesis attepmts to solve the questions of how the dream imagination is different from the imaginative art of the previous centuries and how the dream topics are involved in the artworks. One of the most important resources for the art work of surrealism was in the psychoanalysis and the knowledge of the work of Sigmund Freud. That is the reason why the first part of this thesis is dedicated to Freud?s The Interpretation of Dreams and the dream symbolism ? its origin, knowledge resources and reflection in the fine arts. The closing chapter uses the previously undiscovered knowledge to present the work of Jindřich Štýrský and tries to indicate how the dream imagination was projected to the artwork of this signifiant surrealist painter.

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